Skip to main content

Rituparna Ghosh represent Tagore on frame.



Rituparno Ghosh was one of the most acclaimed film directors of India, and was himself an admirer of Satyajit Ray. He was one of fascinated director on Tagore ever. He started with the great novel 'Choker Bali' to portray Rabindronath. On Other side he also used Tagore's song, story, drama dance, poetry on various way. His other some remarkable work were 'Noukadubi' which on from another noble of Tagore. One of great drama dance 'Chithrangada' visualized different social issues.In Tagore’s dance drama, which follows the myth from Mahabharata closely, Chitrangada is a princess of Manipur. Her father, the king, raises her as a son, training her in politics and warfare. “She is conditioned to be a man,” Rudra explains to Kasturi (Raima Sen), a dancer in his troupe. When Chitrangada meets Arjun, she falls in love with him, and seeks the help of Madan or Kamdev, the Hindi god of love, to transform her into a desirable woman, with whom Arjun falls in love. For Rudra, real life imitates the stage, when he meets Partha (Jissu Sengupta), a talented drummer with a heroin addiction who joins the dance troupe. 
Partha and Rudra find themselves attracted to each other and start a relationship that is acceptable neither to the other member of the troupe, nor to his parents. One of the dancers asks Rudra if Partha would be able to respect his talent, to value him. “There are lot of people who value me, respect me, but how many have the courage to love?” Rudra replies. When his mother warns him that like all his former lovers, Partha will abandon him and is only taking advantage of his loneliness, Rudra asks what is better ? To be lonely all his life, or to have a companion even for a little while? Perhaps more than everything else, Chitrangada explores the loneliness of its talented and accomplished protagonist. Rudra decides to undergo the sex-change surgery only so that he and Rudra can adopt a child. 
On his career of film making he made a biography of Tagore family background and the entire things, which call 'Jibon Smiriti'. It's mainly a written book of Rabinbdranath. His uses of background score on film makes the attention of the audience and the present generation takes it on a different ways nowadays.   


Comments

Post a Comment

Popular posts from this blog

Young Filmmaker's Journey.

Arif Arman Badol was a student of the University of Liberal Arts Bangladesh (ULAB) from the media studies and journalism department. In his university life, he was involved with different co-curricular activities. One of them was "CinemaScope" .  It's a film-oriented organization where people, who are much enthusiastic about the creation and aesthetics of film production. On ULAB this program is called the Film Apprenticeship Program, and is boldly known as “CinemaScope”. However, this is basically a platform for those who want to practice advanced elements of film production. With the aim of watching, reading, analyzing, and making films, a group of students enroll in ULAB Film Apprenticeship Program - CinemaScope. The program is monitored by the Department of Media Studies and Journalism. CinemaScope arranges regular events like Film Reading, Master Class, Study Circle, Seminar, Workshops, Meet the Director, etc. Besides, CinemaScope's mouthpiece “Cinepe...
Post a Comment
Read more

Nandita Das with her film Manto at DLF-2018

  Nandita Das with her film Manto at DLF-2018 Bidhan Chandra Das        On November 8th (Thursday) Nandita Das, an Indian filmmaker film Manto screened at the 8th edition of Dhaka Literary Festival (DLF) at 16:15 AKSB auditorium of Bangla Academy. Photo: Bidhan Chandra Das Bangla Academy premises, bringing some of the biggest contemporary literary minds from across the world. When I reached there I saw a huge crowd outside of the auditorium. I waited one and a half hours at the entrance. It was difficult for me to grab a seat over there. But finally I managed to watch her Manto. Basically Manto portrays the life of Sadat Hasan Manto that has become noticeable. It is seen in the middle of Manto's life and part of the story of "cold meat". Inspired by the life and writings of the Indian-Pakistani writer of the 20th century, the film has been well-received at both festivals and theatres. It is the second feature film by Das, who is known for her well-ske...
Post a Comment
Read more